• Year

  • 2025
  • 2023
  • 2021
  • 2019
  • 2017
  • 2015
  • 2013
  • Group

  • All
  • GDC Young Award
  • GDC Award
  • Category

  • All
  • k-2 Social Practice Design
  • k-1 Integrated Media Design
  • j-2 Space Graphics
  • j-1 Signage System
  • J Environmental Graphic Design​​
  • i-3 Dynamic Visualization
  • i-2 Information Visualization
  • i-1 Infographics
  • I Information Design
  • h-2 Merchandise Design
  • h-1 Cultural Derivative Products
  • H Cultural & Creative Product Design​​
  • g-3 Multimedia Interactive Installation
  • g-2 Website & APP
  • g-1 Film & TV Title Sequences / Animated Shorts
  • G Digital Media Design
  • f-3 Brand Illustration
  • f-2 Creative Illustration
  • f-1 Commercial Illustration
  • F Illustration
  • e-4 Variable Font
  • e-3 Application of Typeface
  • e-2 Creative Typography
  • e-1 Typeface Family
  • E Typography
  • d-3 Dynamic Poster
  • d-2 Cultural Poster
  • d-1 Commercial Poster
  • D Poster Design
  • c-3 Conceptual Publication
  • c-2 Album, Newspaper & Magazine
  • c-1 Book
  • C Editorial & Book Design
  • b-3 Music Album Packaging
  • b-2 Limited Edition Packaging
  • b-1 Retail Packaging
  • B Packaging Design
  • a-4 Promotional Design
  • a-3 Brand Identity
  • a-2 Campaign Identity System
  • a-1 LOGO
  • A Brand Communication Design
  • Awards

  • All
  • GDC Gold Award
  • GDC Silver Award
  • GDC Bronze Award
  • GDC Merit Award
  • GDC Jury Award
  • GDC Grand Prix
FOURTEEN YEARS

Creative Team

Category:Typography 

Creative Director/Art Director/Photographic:Zhu Chuantao 

Advisor Teacher:Shuguang Gu 

School: Central Saint Martins

 

Creative Summary

I was diagnosed with fibrous dysplasia at the age of ten. It is a rare yet hard-to-treat tumor-like bone disorder, occurring in only 1 to 3 cases per 100,000 people. The lesions have continued to erode and proliferate in my left hip, ankle, and toes, forcing me to endure pain and inconvenience for years. Since 2010, I have undergone comprehensive examinations every year at major hospitals in Beijing, progressing from having no viable options to partially controlling the condition with medication. Throughout this process, I have witnessed my body transform from fragile to resilient. Over the past 14 years, this disease has become more than a distant term; it has woven itself into my life, continually prompting reflection and acceptance. To document this long journey, I integrated each year’s bone scans, X-rays, and other imaging materials into my design, creating 14 distinct typefaces. Evolving from rough textures to a final form approaching the resilience of print type, they symbolize the shifts in both my physical state and state of mind. In terms of book design and binding, I used a medical-record–style metal file-folder binding and designed fully continuous interior pages to embody a 14-year “timeline,” recording type design, medical records, and my personal reflections as though archived in a dossier. These typefaces and the book not only record pain and helplessness but also convey a deeper understanding of life, the body, and self-identity. Through this continually evolving visual language, I seek to present the process of coexisting with illness and conversing with my body, contemplating fragility, healing, and growth.